Tarihin ayabar da ta kai darajar dala miliyan 6

Lokacin da Maurizio Cattelan ya manna ayaba a bango da tef mai launin azurfa sannan ya kira ta aikin fasaha, ya haifar da ɗaya daga cikin manyan wasa ƙwaƙwalwar al'adu a shekarun baya-bayan nan. Amma labarin "Majaajiliistaha" ya bayyana tarihin tsohon ƙarni wanda ya tayar da cece-kuce a amfani da ƙimar da ta gigita mutane a duniyar fasaha.

Leonardo DiCaprio, Michael Bay, da Travis Scott na daga cikin fitattun mutanen da suka halarci buɗe taron musamman na baƙi masu daraja a Art Basel Miami Beach a ranar 4 ga Disamba 2019, ranar da aka fara nuna ayabar da aka sanya wa suna "Majaajiliiste".

Da safe, an liƙa manyan farashi a kan kowane aikin fasaha da aka nuna a wurin, ciki har da tarin ayyukan fasaha masu tsada.

An sayar da wani aikin fasaha na Helen Frankenthaler kan kusan dala miliyan 1.65, yayin da aka sayar da aikin Willem de Kooning kan dala miliyan 8.

A cewar Sara Cascon, 'yar jarida a Artnet News, abin da ya fi jan hankali shi ne sabon aikin Maurizio Cattelan: ayaba da aka manna a bango.

Washegari, Cascon ta rubuta cikakken rahoto na farko game da aikin, inda ta sanar da masu karatu cewa an sayar da kwafi biyu na wannan aikin fasaha mai taken kayan lambu kan dala 120,000 kowanne.

Bayan 'yan kwanaki, an sayar da kwafi na uku kuma na ƙarshe kan dala 150,000. Kowane mai saya ya samu takardar shaidar cewa aikin na asali ne da kuma umarnin yadda za a nuna shi, ciki har da buƙatar sauya ayabar akai-akai.

A yayin bikin Art Basel Miami Beach, ɗaruruwan baƙi sun ɗauki hotunan aikin tare da wallafa martaninsu a intanet.

Cikin 'yan kwanaki bayan fitowarsa, aikin "Majaajiliiste" ya bazu sosai, ya haifar da dariya, mamaki da ba'a, har ma ya haddasa sabon salon raha da kwaikwayo game da nau'in aikin da ayabar kanta.

Jaridu, tare da shafukan yanar gizo da bidiyoyin YouTube, sun shiga muhawara kan kyau da ƙimar ilimi ta aikin. Abin mamaki shi ne, waɗanda suka fi tsananin sukar "Majaajiliiste" su ne waɗanda suka fi yawan rubuce-rubuce game da shi.

Idan manufar Maurizio Cattelan ita ce ya jawo hankali zuwa kansa, to aikin ya kasance babbar nasara gare shi. Kaɗan ne daga cikin ayyukan fasahar zamani da suka kai irin matsayin da "Majaajiliiste" ya samu cikin sa'o'i kaɗan bayan an ƙaddamar da shi.

Babbar nasarar aikin ita ce samun shahara da ta wuce iyakokin duniyar fasaha, lamarin da ya ba shi karɓuwa a duniya baki ɗaya. Wannan shaharar ta taimaka wajen ɗaga darajar aikin a kasuwa zuwa wani mataki mai girma ƙwarai.

A shekarar 2024, an sake sayar da kwafi na biyu daga cikin kwafi uku na "Majaajiliiste" a wani gwanjo kan dala miliyan 6.24.

Wannan ya sake fusata masu bayyana ra'ayoyinsu mabanbanta, waɗanda suka soki abin da suka gani a matsayin ɓarnar maƙudan kuɗi a kan ayyukan Cattelan.

Fasahar barkwanci mai shekaru 400

Tayar da hankali na ɗaya daga cikin dabarun fasahar Cattelan.

Da alama tun da dadewa ya fahimci cewa fasaha ko hazaƙa kaɗai ba sa tabbatar da nasara a kasuwar kirkire-kirkire mai matuƙar gasa. Amma cece-kucen da masu suka ke yi na ƙara jan hankalin jama'a, wanda ke jawo ƙarin masu kallo da ƙarin damar samun kwangiloli.

Abubuwa da dama a tarihin fasaha sun tabbatar da cewa wannan tunani gaskiya ne.

Fiye da shekaru 400 da suka gabata, mutanen zamanin Caravaggio sun rarrabu game da irin matakan tashin hankali, jan hankali na jima'i da kuma duhun da ke cikin ayyukansa na addini, waɗanda suka taimaka wajen yaɗa shahararsa a duniya.

Bisa wannan al'ada, Cattelan ya kasance yana rungumar rawar mai tayar da hankali a duniyar fasaha.

Amma irin cece-kucen da Cattelan ke haifarwa ya bambanta da na waɗanda suka gabace shi saboda ba ya shafar salo ko hangen nesan fasaha kai tsaye.

Ayyukansa da suka fi jawo cece-kuce, kamar La Nona Ora na shekarar 1999, wanda ya nuna Pope John Paul na biyu da wani dutsen sararin samaniya ya doki jikinsa, da kuma aikin da ya nuna wani yaro ɗan makaranta mai fuskar Adolf Hitler yana addu'a, sun dogara ne kan sanannun jigogi da hatta mutanen da ba sa ziyartar wuraren fasaha za su gane nan take.

"Tsohon abin mamakin da ya girgiza mutane"

Baya ga salon barkwanci da ƙwarewarsa wajen amfani da kayan barkwanci na jiki, masu fasaha da dama kafin Cattelan, ciki har da Giorgio de Chirico, Andy Warhol, da Guerrilla Girls, sun yi amfani da ayaba a cikin ayyukansu na fasaha.

Wannan yana ba da damar yin ba'a a matakai daban-daban.

Bugu da ƙari, ra'ayin amfani da abinci a matsayin aikin fasaha abu ne da ya saɓa kuma aka daɗe da sani. Yana da dogon tarihi a salon zane-zanen still life, wanda tun ƙarni na 16 ya zama wata kafa da aka tabbatar a duniyar fasaha, ko da yake a gargajiyance ana ɗaukarsa a matsayin ƙasa da sauran nau'o'in fasaha.

Irin waɗannan ayyuka, kamar zanen Still-Life with Partridge and Gauntlets na Jacopo de' Barbari, wanda ke daga cikin farkon zane-zanen still life, an ƙirƙire su ne domin su sa masu kallo su yi tunani game da gajeruwar rayuwar halittu da kuma yadda fasaha ke ba su damar ci gaba da wanzuwa bayan mutuwa, a riƙa tunawa da su kuma.

Shahararren jagoran wannan salo shi ne Marcel Duchamp, wanda a shekaru na biyu na ƙarni na ashirin ya fara nuna kayayyakin yau da kullum kamar ma'ajin kwalabe, tayoyin keke da bututun fitsari a matsayin ayyukan fasaha.

Amma ko manufar Duchamp ta yin tambaya game da ginshiƙan fasaha a matsayin wani sashe mai cin gashin kansa, duk da tsattsauran yanayin dabarunsa a farkon ƙarni na ashirin, shi ma wani ɓangare ne na doguwar muhawara da ta samo asali daga falsafar tsohuwar Girka, musamman ta Plato (428-347 K.Z.).

Gaskiyar da ta fi bayyana game da aikin "Majaajiliiste" ita ce babu wani abu mai tsattsauran ra'ayi a cikinsa ko kaɗan..