The Browning Version

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Historian and columnist Simon Heffer reflects on films from the decade after the war which show British cinema dealing with gritty social issues and dramatic high standards. In this edition of The Essay he discusses the 1951 film of The Browning Version. The cinema of the 30s was nakedly and unashamedly escapist in a way that the cinema of the late 40s and early 50s - in an age of lost innocence and social upheaval - simply couldn't be. This was a period when British cinema was forced to embrace change and reflect reality. Anthony Asquith's adaptation of Terence Rattigan's unforgettable play 'The Browning Version', outlines personal, marital and institutional failure with a clarity and honesty unusual for the time, if not unprecedented. A heart-breaking story of remorse and atonement, The Browning Version is a classic of British realism and the winner of best actor and best screenplay honours at the 1951 Cannes Film Festival. It's set in an English public school on the last day of the summer term. The once-brilliant classics teacher, Andrew Crocker-Harris, played by Michael Redgrave, is about to leave his post after 18 years because of ill-health, to take a less demanding job and begins to feel that his life has been a failure. Diminished by poor health, a crumbling marriage, and the derision of his pupils, the once brilliant scholar is compelled to re-examine his life when an unexpected gesture of kindness from a pupil of a copy of Browning's translation of the Agamemnon overwhelms him and brings a ray of hope. He must confront his utter failures as teacher, husband, and a man. Producer: Mohini Patel First broadcast on BBC Radio 3 in September 2013.